![]() Once all the elements are in place, the next step is mixing and blending levels. The sound editor is in charge of choosing the right sound effects, dialogue, ADR, foley effects, and music - as well as assembling all the pieces into the film’s final cut. ![]() To put it plainly: this person decides what you hear in movies. ![]() The lead sound editor is in charge of the sound design for the film, and he or she assigns roles as necessary. There are dozens of different roles involved with finding, recording, and picking the right sounds for a movie. Sound editing for films with substantial budgets usually involves more than one person. Let’s take a look at what each role entails. However, the two couldn’t be more different, and each plays a critical role in creating an enjoyable cinematic experience. ![]() With the Oscars right around the corner, the Academy will soon honor some of the industry’s top mixers and editors with the coveted Best Sound Editing and Best Sound Mixing awards. To the naked eye (or ear), the distinction between the two might seem arbitrary. Sound editing and sound mixing are wildly different professions, and each plays a key role in post-production. ![]()
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